Dreaming Animals is an award-winning collaboration between photographer Meredith Miller and poet MJ Millington, exploring the complex relationship between humans and animals. Playing with words and images, each artist uses her own medium to explore the disjuncture between how we think and speak about animals, and how we behave towards them. Inspired by animal-themed children’s games, Miller prints images of endangered animals from the Beinecke Library’s digital collections and re-photographs them in playful scenes she creates with household objects. Millington then writes a poem to pair with each image, playing with common linguistic tropes, phrases, and clichés about animals to recast the stories found in well-worn expressions.
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Rhino Hero, archival inkjet print with pen and marker, 2020
Let Sleeping Bones Lie
Here at the museum of sleeping bones,
in a silent drawer, down a darkened row,
a stone jawbone older than knowable time:
Teleoceras, our last rhinoceros.
Ten million years ago this jawbone
roamed Nebraska–warm savannah
and watering holes–till a volcano’s
drifting ash laid it to rest.
One jawbone to speak of a species gone.
Here at the museum the unburied bones
in silent drawers, down darkened rows,
lie dreaming of what is lost.

Moose Hunt, archival inkjet print with pen and marker, 2020
The Idea of a Moose
Maybe the idea of a moose
is more seemly than the gangle-
legged, nobble-nosed moose
itself: suitable for coffee mugs
and bumper stickers, and proof
we thought about touching wildness
once, and got the tee shirt.

Bee Safe or Be Sorry, archival inkjet print with pen and marker, 2020
To Make a Bee (After Emily Dickinson)
To make a bee
it takes a prayer
and one queen.
One queen, and a prayer.
And regret.
The regret alone won’t do,
if prayers are few.

Butterfly Effect, archival inkjet print with pen and marker, 2020
Butterfly Effect
Butterflies don’t know
their own effect—
how one flitting wing-
flap shatters the air;
starts a chaos of longing
for impossible things.
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Bird in the Hand, archival inkjet print with pen and marker, 2020
worth
a bird in the hand
a hand in the bush
an egg in the bird
a bird in the egg
an egg in the nest
a nest in the bush
a hand in the nest
an egg in the hand
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Sea Creature Surf, archival inkjet print with pen and marker, 2020
Sea Creatures
We were sea creatures too,
that summer, sunned skin
tumbled smooth by tumbling
waves, and sand scraped.
We ran and screamed
in fear and joy from
blooms of tiny jellyfish,
and felt no sting.
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Hounds and Hare, archival inkjet print with pen and marker, 2020
Rabbitwise
We saw the rabbit on Easter,
of all days: placidly munching
at the lawn until our attention
pinned it; then it fled down
some tunnel into its underworld
burrow. It wasn’t the bunny
who’d left us jellybeans
that morning; or the chocolate
kind we’d placidly munched
before breakfast was even ready.
But I thought I saw, for a moment,
how we get from here to there—
back and back, to the new
that tunnels up from winter’s
underworld, chasing the light
of the rising spring sun.
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Buffalo Round-up, archival inkjet print with pen and marker, 2020
After the Plain
Buffalo wears
other skins—
speaks with
other names.
Rivers flow
where his horns
broke the plain—
where the plain
broke him.
Buffalo shifts
as clouds flicker
and split—
shape to shape
across the
setting sky.

Camel Up, archival inkjet print with pen and marker, 2020
Camels to the right of them
On October 4 [1855, the USS] Supply arrived in Constantinople, where the crew
found camels in short supply because of the Crimean War. [They detoured] to
Crimea to observe camels in military use by the British…
-Robert Berg, “Camels West”
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die.
-Tennyson, “The Charge of the Light Brigade”
Camels to the right of them,
camels to the left of them,
camels behind them–
burdened under
balaclava, blunderbuss,
earth and armament;
nightingale and cannonball;
shells of metal, shells of men.
Humped backs packed
with all the panoply of
wars away from home:
the wounded and the wounding,
the neverending charge,
the beast and the burden–
never quite the last straw.
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Uh-oh Elephant, archival inkjet print with pen and marker, 2020
Never Forget
What is remembering made of?
Sun and pain,
water and dust;
an eye for an eye,
a tusk for a tusk.
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Leopard Tracks, archival inkjet print with pen and marker, 2020
Consider the Leopards of the Veld
Consider the leopards of the veld,
how they go: they despoil not,
neither do they skin
the hide from glorious creatures
to array themselves in.
Is not the life
more than meat?

Harpoon, archival inkjet print with pen and marker, 2020
Shanty
Our ship is well rigged
and she's ready to sail,
The crew they are anxious
to follow the whale
Where the icebergs do fall
and the stormy winds blow,
Where the land and the ocean
is covered with snow—
sea of song
sea of snow
breath of salt
breath of ice
moon swell
aurora roll
sea of stars
sea of night

Battle Bears, archival inkjet print with pen and marker, 2020
Grizzly Bears’ Picnic
If you go into the woods today
You better lock up your food
Your tent, your car, your garbage cans
You better secure them too
For every bear that ever there was
Will gather in the campground because
Today’s the day the grizzly bears
Have their picnic

Go-go Giraffe, archival inkjet print with pen and marker, 2020
Zarafa, 1827
Take her highness, la girafe—
a gift: empire to empire,
only still a calf when she was
taken from her mother’s teat and
trussed, tossed on the back of a camel
and trotted to Khartoum. There
the Nile tide took her to the mouth
of the sea, Alexandria, where
she left one boat for the belly
of another. They cut a hole in the
deck for her neck to stretch;
hung prayers at her throat.
Many miles and months later
it was Marseille: she walked again
on four legs longer than the last
time her hooves had touched land;
she was still a growing calf. An entourage
of cows for her milk, men for her keep,
a naturalist with gout to walk beside her;
and the crowds thronging, surging, growing
even faster than she was, as she walked
six hundred miles north to Paris.
George Sand saw her there: her young son
carried his own stuffed giraffe.
A hundred thousand others turned out
to see le bel animal du roi, planted
at last in the Jardin des Plantes. She lived
eighteen years in that garden—the king’s
beautiful folly, no name of her own, who once
ate rose petals from his hand. In a year
she was forgotten; a passing fad soon past.
What manner of gift was that?